VUE Audiotechnik

It’s clear the VUE designers have experience working the real world. The al-4’s coverage is so well defined and it’s incredibly easy to scale up or down as needed.

I think the al-4 kicks major butt. Right out of the box it is the best sounding line array for vocals that I have ever heard. It’s ridiculous, just flippin’ ridiculous!

The al-12’s pack a punch! There’s plenty of power out of the box, which basically lead to a lot of headroom on my master fader

The VUE i-8s are absolutely amazing! They blow my existing near fields right out of the water.

I felt instantly comfortable with the VUE system [al-8]. It was beautiful, really smooth and totally responsive. I could literally feel it in my body it was so clear. I loved it.

The most salient single aspect of the [VUE] demo was the consistency of voicing across the entire product line. Even the smallest cabinets impressed with their forward voicing, punch and clarity.

The VUE [al-4] line array has excellent pattern control. We were able to quickly assemble the al-4 system and easily dial-in exactly the perfect coverage. I was extremely impressed.

I’ve used most of the major brands but have always struggled to balance size, output and sound quality without stressing the budget. From the moment I first heard VUE’s a-Class I knew they’d finally hit my mark. There’s simply nothing out there that can touch these speakers in terms of sound quality and output for the price.

Michael Adams and VUE have outdone themselves with the al-12 system and the new 21-inch hs-221 sub. The system has all of the features that any touring engineer would expect. The fly hardware and dolly carts are self explanatory and easy to deploy, which is integral for a touring system. The audio quality is easily in the top systems.

With SystemVUE™ control software, we could properly attenuate the al-4s directed at the floor seats in front of the stage, while making sure the throw provided proper coverage at the back of each balcony seat.