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Michael Adams and VUE have outdone themselves with the al-12 system and the new 21-inch hs-221 sub. The system has all of the features that any touring engineer would expect. The fly hardware and dolly carts are self explanatory and easy to deploy, which is integral for a touring system. The audio quality is easily in the top systems.

George EdwardsGeneral ManagerDelicate Productions San Francisco

The Perfect Makeup — Kyle Hamilton

Neversleep Productions
Kyle Hamilton is one of the most in-demand live sound engineers working today. Over the last 15 years, Kyle has amassed a roster of artists that reads like a who’s who of Hip Hop, R&B and Pop royalty. . . the “Neversleep way” seems to be working. Kyle Hamilton’s production team is covering shows for Kendrick Lamar, G-Eazy, Lalah Hathaway, Janet Jackson, Thalia, Pharrell Williams, N.E.R.D., Alicia Keys, Rick Ross, Rihanna, Lionel Richie, Demi Lovato, Prince, R.Kelly, Nicki Minaj, T-Pain and The Band Perry.

Want to understand the latest developments in line array technology?

ACOUSTIC LINEARITY is the sum total of the process and technology that went into developing the al-Class. The Acoustic Linearity White Paper covers the development of line array loudspeakers from the 1930’s through Continuous Source Topology (CST™) technology as applied in the VUE al-Class systems that offer useful and flexible suite of sound reinforcement tools to address a wide range of field applications.

VUE Sets Sights Towards the East

“VUE’s rapidly growing worldwide market presence, outstand price-to-performance ratio, and pioneering use of technology like Beryllium make the brand an excellent fit for the market. With VUE’s touring success, more and more APAC touring companies want to use the latest and greatest gear, and with new construction and retrofits of existing facilities throughout the region, the sky is the limit.”
-Joe Manning, VUE Independent Manufacturer Rep for the APAC Region

Joan Jett and the Blackhearts Get the Full VUE at Star of the Desert Arena

The al-Class based system took full advantage of VUE’s innovative Continuous Source Topology (CST), which allowed al-12 and al-8 acoustic elements to be combined into dual, hybrid arrays for improved coverage, sightlines and reduce weight. And thanks to the unique capabilities of their CST architecture, the combo al-Class array delivered perfectly linear coverage without the disruptions typically associated with more conventional mixed element arrays.

VUE Proudly Powers San Francisco Pride Celebration

“Driving in San Francisco is challenging on a good day, but when you’re driving trucks in and out and navigating 1 million spectators in a 36-square-mile city, that makes for a pretty wild ride. All the more reason we love the VUE al-Class since setup is a breeze and they require little to any tuning once flown. We absolutely love this PA.”
-George Edwards, Sound Image San Francisco General Manager

Bell Events Services Taps VUE for Labor Day Fiesta Hermosa Festival

“As the newest VUE monitor, I wanted to give the hm-115 a thorough run through,” commented Tim Campbell, Audio Supervisor and Operations manager at Bell Events. “On days one and two we used them for vocals, then moved them to side fill on days three and four. They performed flawlessly with massive amounts of headroom, clarity and seamless vocals around the entire 30 x 24 stage. Near Nirvana, as far as monitors go.”
-Tim Campbell, Audio Supervisor and Operations manager at Bell Events